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The Greville Theatre Company

The Barn Theatre, Little Easton Manor

The Importance of Being Earnest

by Oscar Wilde

Cast

JOHN WORTHING:
Jonathan Scripps

ALGERNON MONCRIEFF:
Adam Thompson

THE REV. CANON CHASUBLE:
Peter Nicholson

MERRIMAN:
Steve Bradley

LANE:
Rodney Foster

LADY BRACKNELL:
Jan Ford

THE HON. GWENDOLEN FAIFAX:
Carol Parradine

CECILY CARDEW:
Sonia Lindsey-Scripps

MISS PRISM:
Judy Lee

The Greville Theatre performance of The Importance of Being Earnest

Directed & Produced by Marcia Baldry-Bryan & Diana Bradley

The Importance of Being Earnest (A Trivial Comedy for Serious People) is widely acknowledged as one of the greatest comedies in the English language

With wonderful characters, sparkling wit, gloriously improbable plot twists and a sprinkling of romance.

Jack is in love with Gwendolen, Algernon is in love with Cecily, but both Gwendolen and Cecily are in love with Ernest. As a tangle of identity spirals out of control, the previously separate worlds of town and country collide and delicious mayhem ensues.

Thoughts of marriage and a happy ending must be put on hold until the indomitable Lady Bracknell can be convinced that the young men are worthy suitors.


"Well received by the "serious people" of rural Essex"

Michael Gray


"A superb success"

Braintree & Witham Times

Michael Gray's Arts Blog

Greville Theatre Club at the Barn Theatre, Little Easton - 30/05/13

Oscar Wilde's "trivial comedy" is very well received by the "serious people" of rural Essex – gales of laughter, and knowing anticipation of more than one classic riposte.

Production values are high. The costumes look substantial and stylish, from Aunt Augusta's brocade to Gwendolen's cerise gown to Algy's garb of woe to the Canon's gaiters. The set is simple – pale Aesthetic green – with added trellis for the Woolton garden, and an impressive quick change to the Morning Room.

Nine actors from the Greville rep bring Oscar's words to life. Urbane, poker-faced Lane [Rodney Foster] and his country cousin Merriman [Steve Bradley]. Miss Prism, delicious in her mortification, is Judy Lee; Chasuble, her metaphorical admirer is richly, ripely drawn by Peter Nicholson.

The quartet of lovers: Jonathan Scripps' smug, smiling Jack, sartorially stunning in his Act One suit, could clearly give some tailoring tips to his wicked friend Moncrieff [Adam Thompson], Wilde-eyed with a hint of the Mad Hatter. And a deft deliverer of his many epigrams.

Sonia Lindsey-Scripps – like a pink rose – as fun-loving Cecily, and Carol Parradine as Gwendolen, her supercilious look, her insincere smile reminiscent of Dame Maggie in her prime; she will clearly become like her mother, superbly depicted by Jan Ford, the glances, the inflections, the timing, the eloquent body language making a satisfyingly rounded character. Her "handbag" more rueful than outraged.

Occasionally lines were lost to laughter, but the pace is lively, the staging inventive. The synchronised shock reaction on "Your brother!", and the girls drawing together for the "wounded, wronged" reconciliation just two examples of effective ensemble.

The Importance was directed and produced for The Greville by Marcia Baldry and Diana Bradley.